Composition

Composition at Melbourne Conservatorium of Music builds on craft and tradition whilst fostering the next generation of voices in new music.

Study Composition at Melbourne Conservatorium

The Composition major focuses on developing the art and craft of writing music for live performance. Instruction is grounded in the Western notated art music tradition, whilst engaging in dialogue with other contemporary musical practices. We encourage composition in a variety of styles.

Through an immersive and practical curriculum, the Composition major is built around projects that span an array of compositional contexts and forms. Guidance and tutelage is offered through weekly seminar and regular group and individual lessons. Workshops and masterclasses offer further enrichment. Students also take core music theory and history subjects, music electives and complementary breadth subjects.

Throughout your degree, you’ll develop skills in instrumental and vocal writing, instrumentation and orchestration, electro-acoustic music, professional score presentation, rehearsal protocol and concert management, helping you to consolidate the necessary skillset for compositional career paths.

Alternatively, if you are interested in creative music and sound for a range of contemporary media contexts, visit Melbourne Conservatorium’s Interactive Composition page. Interactive Composition focuses on commercially driven cross-art modes of composition which may include writing music for events, film, television, animation, theatre, music theatre, dance, pop song, advertising, video gaming, online, installation art and sound design.

Composition study options

Prospective students can apply for first year intake. An alternative pathway is via second year entry from another major within the BMus.

Undergraduate students from other areas of the University can learn about composition through related subjects such as Composition Studies, Instrumentation and Arranging, Music Language 1, 2, and 3. Many of these subjects are available as electives for students in other music majors, and as Breadth for students in other University of Melbourne faculties.

Graduate student study options in Composition include Graduate Diploma (by coursework) and research degrees (Master of Music (Research) or PhD).

Composition courses

Our people

We cultivate a dynamic creative environment which starts with Melbourne Conservatorium’s own musicians and ensembles, radiates out to the local community, and on to national programs and performance opportunities through international workshops, residencies and concerts.

The Composition program has strong links with the wider musical community, notably the Australian National Academy Music (ANAM), Melbourne Symphony Orchestra and Melbourne Recital Centre. Longstanding opportunities for our current students include:

  • Annual composer readings with the University of Melbourne Orchestra and the University of Melbourne Wind Symphony.
  • Opportunities to collaborate with Melbourne Conservatorium of Music ensembles, such as Big Band, Percussion Ensemble, Guitar Ensemble, Saxophone Ensemble.
  • In-house workshops with professional artists and ensembles such as Ensemble Liaison, Syzygy Ensemble, and with Conservatorium performance staff.
  • Recurrent opportunities with the wider community, such as Choral@Melbourne, Melbourne Recital Centre’s Marshall McGuire Emerging Composer Commissions, and Artology-Melbourne Youth Orchestra Commission.
  • MCM Guitar Perspectives Commissions builds new repertoire for guitar, composed and performed by our graduate students through a special commission.

Watch the full MCM Guitar Perspectives Comissions playlist

Inside the Program: Composition Seminar

Composition Seminar is held weekly, and features visiting national and international guest composers alongside workshops and masterclasses. Past guests have included Liza Lim, John Psathas, Ēriks Ešenvalds, Joshua Hyde, Peggy Polias, Biddy Connor, Annie Hsieh, Steve Mackey, Lachlan Skipworth, Cathy Likhuta, Anne Cawrse, Mark Applebaum, Martin Bresnick, Brett Dean, Andrew Ford, Ensemble Contrechamps, Peggy Polias, Barbara Hannigan, Gordon Kerry, Stephen Lias, Steve Reich, Andrew Schultz, Carl Vine, Anne Boyd, Joshua Hyde, Leilehua Lanzilotti.

Merit-based funding, scholarships, awards and other opportunities available to Conservatorium composition students.

  • Stephen Giugni Award for Original Composition

The Faculty of Fine Arts and Music and the Conservatorium offer funding to graduate students (MMus (Research) and PhD). Funding is dedicated to activities related to the research project, or for the purposes of recording works for the composition folio.

For established composers, the Conservatorium administers the Albert H Maggs Composition Award, Australia’s second largest national prize for composition. See past winners here.

Studios

Three digital music studios, equipped with industry-informed software and hardware, as well as a grand Disklavier, enable realisation of music and sound projects throughout your studies.

Two students smiling with headphones on using equipment in a music studio

Learn more about the Southbank campus

The Conservatorium’s IgniteLAB is a music career and entrepreneurship program which, through specialist training and resources equips musicians with industry skills to navigate their emerging career.

Our graduating students have a record of sustained success in securing opportunities within the wider music industry. Our composers are selected to write orchestral works for both the Melbourne Symphony Orchestra’s Cybec 21st Century Australian Composers Program, the Tasmanian Symphony Orchestra (TSO) Composer School, and Melbourne Youth Orchestra (with Artology); and chamber works for a variety of ensembles, including for Rubiks Collective, Forest Collective, and the ANAM Set. Our composers consistently feature in national development programs, including those offered by Omega Ensemble Co-Lab program, Flinders Quartet Ascend and Emerge programs, Ensemble Offspring’s Hatched Academy.

Want to know more?

Get information on the courses you’re interested in, or ask our team a question.

Make an enquiry

Conservatorium Events

  • Unbound frequencies

    Tuesday 28 July 2026 7:30pm - 8:40pm
    Unbound Frequencies showcases new composer-performer works from the Melbourne Conservatorium of Music’s Interactive Composition community. Exploring synthesis, audiovisual performance, spatial sound, and experimental music practices, the program traverses immersive sonic environments, live electr...
  • Master of Music (Orchestral Performance) Showcase Concert 2026

    Wednesday 29 July 2026 7:30pm - 9:15pm
    Join our Master of Music (Orchestral Performance) students in their annual showcase concert. You will hear the entire cohort perform alongside elite musicians from our city’s professional orchestras. The concert will be introduced by members of the ensemble and directed by Richard Davis and Tim B...
  • Classical Voice Mega Day 2026

    Sunday 2 August 2026 9:30am - 6:00pm
    We are inviting high school students and singing teachers with an interest in classical voice to join us for a celebration of all things singing with Conservatorium staff, students and alumni at a free Classical Voice Mega Day. Participants will engage in workshops, masterclasses and rehearsals, ...
  • Bach reimagined

    Tuesday 4 August 2026 7:30pm - 8:45pm
    Join renowned pianist Kristian Chong in Bach works for keyboard and works for other instruments that have been transcribed and reimagined by masterful composers Liszt and Busoni for the piano. Opening with grandeur, Bach’s Chromatic Fantasie and Fugue remains one of his most daring and innova...
  • Earth-Like

    Wednesday 5 August 2026 7:00pm - 8:15pm
    Quercus Trio, pioneers in celebrating Australian horn trios, present trios by Don Banks and John Polglase alongside Stuart Greenbaum’s horn trio “Earth-Like,” a world premiere exploring our search for habitable worlds and what makes us human. From cosmic conditions for life to intimat...
  • Letters to Louise

    Tuesday 11 August 2026 7:30pm - 8:30pm
    A Musical Tribute to the Legacy of Louise Hanson-Dyer In a tribute to the great 20th century patron of the arts and music publisher, Louise Hanson-Dyer, mesmerising mezzo-soprano Dimity Shepherd partners with pianist Caroline Almonte to present a breathtakingly diverse collection of works com...
  • The sonata as storytelling

    Tuesday 18 August 2026 7:30pm - 9:10pm
    The Sonata as Storytelling explores the sonata as a powerful vehicle for musical narrative, bringing together two masterpieces that reveal the expressive possibilities of the form across two centuries. Composed in the final months of his life, Schubert’s Piano Sonata in A major, D959 unfolds ...
  • Australian Wind Quintet perform Gounod, Klughardt and Coleman

    Tuesday 25 August 2026 7:30pm - 8:40pm
    Celebrate an exciting moment in Melbourne’s musical community with the Australian Wind Quintet in a vibrant concert marking the commencement of new flute lecturer Catherine Gregory at the Melbourne Conservatorium of Music. The program features Gounod’s charming Petite Symphonie, performed alo...
  • Musical inquiry in a digital age

    Thursday 27 August 2026 6:00pm - 7:30pm
    Please join us for a Macgeorge Fellow lecture by Professor Richard Freedman (John C. Whitehead ’43 Professor of Humanities at Haverford College). This talk inaugurates a series of five workshops, culminating in a digital humanities study day. Musical Inquiry in a Digital Age What does the...
  • Southbank Series: In Full Flight

    Saturday 5 September 2026 7:30pm - 9:00pm
    The second concert in the Southbank Series draws together four composers across three centuries, each with a distinct voice. Program Igor Stravinsky Danses Concertantes Carl Nielsen Flute ConcertoLisa-Maree Amos, Section Principal Flute Paul Stanhope ApolloLudwig van Beethoven Sympho...
  • Lyrebird Brass: the timeless and the new

    Tuesday 8 September 2026 7:30pm - 8:30pm
    Join us for an extraordinary musical journey bridging centuries and styles. The program opens with elegant compositions by French Baroque master Jean-Philippe Rameau arranged here for brass quintet, followed by From Clans of Land and Sea by ANU Professor Chris Sainsbury, a prominent First Nat...
  • Get Up 2026

    29 July 2026 - 9 September 2026
    Jazz and Improvisation students lead jam sessions. All music students welcome. Get Up Schedule 29 July 2026, 7PM - Lionel Lounge 19 August 2026, 7PM - Lionel’s Lounge 9 September 2026, 7PM - Lionel’s Lounge Venue This jam session takes place in Lionel’s Lounge. Please ente...
  • Echoes of song

    Tuesday 15 September 2026 7:30pm - 9:00pm
    This recital explores the cello as a singer without words. From Chopin’s deeply lyrical Etude op. 25 no. 7, originally written for piano, to Schubert’s beloved Arpeggione Sonata, a work renowned for its beautiful song-like qualities, this program highlights the instrument’s unique ability to embo...
  • Bach and Shostakovich

    Tuesday 22 September 2026 7:30pm - 9:00pm
    Contrast and transformation: Bach’s Goldberg Variations unfold in a new form, with variations shared between the solo piano original and Dmitry Sitkovetsky’s string trio transcription. This interplay of textures reveals unexpected colours in one of music’s most iconic works. Completing the progra...
  • A plaine and easie introduction to digital music scholarship in five simple sessions

    27 August 2026 - 24 September 2026
    Please join us for a series of Thursday afternoon workshops with Macgeorge Fellow Richard Freedman (John C. Whitehead ’43 Professor of Humanities at Haverford College). These hands-on workshops are designed for anyone interested in learning more about digital approaches to the study of music....
  • A plaine and easie introduction to digital music scholarship in five simple sessions

    27 August 2026 - 24 September 2026
    Please join us for a series of Thursday afternoon workshops with Macgeorge Fellow Richard Freedman (John C. Whitehead ’43 Professor of Humanities at Haverford College). These hands-on workshops are designed for anyone interested in learning more about digital approaches to the study of music....
  • A plaine and easie introduction to digital music scholarship in five simple sessions

    27 August 2026 - 24 September 2026
    Please join us for a series of Thursday afternoon workshops with Macgeorge Fellow Richard Freedman (John C. Whitehead ’43 Professor of Humanities at Haverford College). These hands-on workshops are designed for anyone interested in learning more about digital approaches to the study of music....
  • A plaine and easie introduction to digital music scholarship in five simple sessions

    27 August 2026 - 24 September 2026
    Please join us for a series of Thursday afternoon workshops with Macgeorge Fellow Richard Freedman (John C. Whitehead ’43 Professor of Humanities at Haverford College). These hands-on workshops are designed for anyone interested in learning more about digital approaches to the study of music....
  • A plaine and easie introduction to digital music scholarship in five simple sessions

    27 August 2026 - 24 September 2026
    Please join us for a series of Thursday afternoon workshops with Macgeorge Fellow Richard Freedman (John C. Whitehead ’43 Professor of Humanities at Haverford College). These hands-on workshops are designed for anyone interested in learning more about digital approaches to the study of music....
  • A day of digital learning: perspectives from across disciplines

    Thursday 1 October 2026 9:00am - 5:00pm
    This colloquium brings together scholars, data-science specialists, librarians and archivists from across the Melbourne University community for a day-long series of conversations about the futures of digital scholarship in the humanities: from the scholar’s desktop, to the undergraduate classroo...
  • Masters & Apprentices: the music of Kris Davis

    Tuesday 6 October 2026 7:30pm - 8:30pm
    The Jazz & Improvisation department celebrate the music of Canadian jazz pianist and composer, Kris Davis. This special project large ensemble features J&I third-year and Honours students alongside their director Andrea Keller. Previous directors have included Melissa Aldana (Chile/US...
  • Canticles, rivers and horns: a homage to Britten

    Tuesday 13 October 2026 7:30pm - 8:30pm
    Join tenor Michael Petruccelli, pianist Andrea Katz, and horn player Carla Blackwood as they mark the 50th anniversary of Benjamin Britten’s passing. This special program pairs Britten’s deeply expressive 20th-century masterpieces with the timeless lyricism of his favorite composer, Franz Sch...
  • Dedications

    Tuesday 20 October 2026 7:30pm - 8:30pm
    The Sutherland Trio (Caroline Almonte, Molly Kadarauch and Elizabeth Sellars) together with their friends Danielle and Luca Arcaro perform an all-Australian program of works connected to the Melbourne Conservatorium of Music community. Featuring two world premieres, ‘Songs for Manny’ by Ella Mace...
  • Keyboard Festival 2026: Dmitri Shostakovich’s Complete Preludes and Fugues Opus 87

    31 October 2026 - 1 November 2026
    The Keyboard Area staff of the Melbourne Conservatorium of Music invites pianists and music lovers alike for a rare opportunity to hear the complete 24 Preludes and Fugues of Dmitri Shostakovich at the 2026 Keyboard Festival. Among the most distinguished pianists in Australia, these performan...
  • Keyboard Festival 2026: Dmitri Shostakovich’s Complete Preludes and Fugues Opus 87

    31 October 2026 - 1 November 2026
    The Keyboard Area staff of the Melbourne Conservatorium of Music invites pianists and music lovers alike for a rare opportunity to hear the complete 24 Preludes and Fugues of Dmitri Shostakovich at the 2026 Keyboard Festival. Among the most distinguished pianists in Australia, these performan...
  • Gender Defying Jazz 2026

    8 November 2026 - 6 December 2026
    Gender Defying Jazz (GDJ) is a program run by Andrea Keller, Head of Jazz & Improvisation at the Melbourne Conservatorium of Music, University of Melbourne. Beginning in 2017 and originally called Girls Do Jazz, the name of the program has been changed to Gender Defying Jazz, to more truly re...

News

New intercultural music composition captures the fragility and wonder of unique Melbourne grasslands

14 May 2026
Ahead of its premiere at the Melbourne Conservatorium of Music, Kate Tempany discusses her latest work, ‘Grasslands Suite’, which blends ecolog...

Matt Laing named recipient of the Albert H Maggs Composition Award

30 January 2026
Composer and Melbourne Conservatorium of Music alumnus Matt Laing is the 2025 recipient of the Albert H Maggs Composition Award for his composition This Wa...

I created a Vivaldi-inspired sound artwork for the Venice Biennale. The star of the show is an endangered bush-cricket

17 July 2025
It was late January when I got the call. I’m asked to bring my sound art to a collaborative ecology and design project, Song of the Cricket, for the Venice Biennale of Archite...

Show more