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Melbourne Conservatorium of Music
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Page 8 of 9
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Two-minute interview: Dr John Carpente, music therapist for children on the autism spectrum
Dr John Carpente is a world expert in music therapy for children on the autism spectrum. In advance of his 9 July seminar on Musical Play to Support Children on the Autism Spectrum to Express their Identity, he answers a few questions about his work.By Susanna Ling
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Explainer: what are Lieder?
World-renowned Lieder accompanist Dr Graham Johnson OBE explains the origins and delves into the poetic beauty of this enduring musical form.By Graham Johnson OBELieder accompanist and visiting artist at the Melbourne International Festival of Lieder and Art Song (MIFLAS)
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Five questions for Andrea Keller, Lecturer in Music (Jazz and Improvisation – Piano)
She’s won multiple ARIA and Australian Jazz “Bell” Awards, written and recorded dozens of albums, and is a strong voice for women in jazz – so what would pianist and composer Andrea Keller have done if she hadn’t studied music?As told to Susanna Ling
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Does the radio keep you company? The Melbourne Conservatorium needs you
Dr Amanda Krause is a postdoctoral research fellow in the ARC Centre of Excellence for the History of Emotions and Melbourne Conservatorium of Music. Here, she explains her new research into radio listening habits of older listeners, and how you can get involved.By Paul Dalgarno
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How to prepare for peak performance, for musicians and non-musicians alike
For the latest in our How To video series at the Faculty of Fine Arts and Music, Dr Margaret Osborne, Lecturer in Music (Performance Science) and Psychology, Melbourne Conservatorium of Music and Melbourne School of Psychological Sciences, gives practical tips for overcoming nerves and performing at your very best. Know someone who would benefit from this? Pass it on!
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Carol Johnson, online music expert: “I saw people’s lives change because they had the opportunity to learn music”
Having moved from the northern hemisphere to join the Melbourne Conservatorium as Senior Lecturer in Music (Online Learning and Educational Technologies), and having just published a book on online music pedagogy, Dr Carol Johnson is making sure the way we teach music keeps up with the ever-multiplying possibilities of modern technology.As told to Sophie Duran
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Two-minute interview: Alex Pertout, percussionist
He’s a multi-award-winning artist whose playing has graced iconic Australian number-one hits by Daniel Braithwaite and Powderfinger, and a founding member of the Australian Art Orchestra. He’s also a Senior Lecturer in Jazz & Improvisation at the Melbourne Conservatorium of Music.As told to Sophie Duran.
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Glenn Branca: four guitar works by the late composer
His music has influenced musicians and divided critics the world over – but his impact on our understanding of what guitars can do can’t be denied. By Dr Ken Murray, Head of Guitar at the Melbourne Conservatorium
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Elliott Gyger at 50: the composer takes us through seven of his works
The Melbourne Conservatorium is about to present seven works by the award-winning composer Associate Professor Elliott Gyger, who will also conduct the performance. Here, he explains his choices. By Elliott Gyger
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Meet Lauren Gorman, Master of Music (Orchestral Performance) student
It was only after spending time studying in Europe that Melbourne flautist Lauren Gorman realised everything she wanted was available back home.By Susanna Ling
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Ronald Farren-Price AM receives the prestigious Sir Bernard Heinze Memorial Award
Melbourne Conservatorium of Music Honorary Principal Fellow Ronald Farren-Price AM has been awarded the 2017 Sir Bernard Heinze Memorial Award.
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Handing over the reins at The Stables – a new home for the arts in Melbourne’s Southbank
The University of Melbourne’s Faculty of Fine Arts and Music today celebrated the completion of The Stables – a world-class visual arts and performance space in the heart of the city’s Arts Precinct.
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Event: Catch the Synthi 100 streaming live
It’s iconic, and so are the people playing it. Don’t miss your chance to see and hear the Synthi 100 in action.By Alex Parade
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Two-minute interview: Jonathan Paget, classical guitarist
Jonathan Paget is passionate about performing 19th-century guitar music on period instruments. We caught up with him before his 11 May Guitaromanie! performance to find out why.As told to Ken Murray.
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Gloria and Beatus vir – meet the cast and crew
An all-sensory experience in the historic St Paul’s cathedral blending early music, modern visual spectacle, and the timeless genius of Vivaldi? Uh, yes please! By Susanna Ling
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Felicity Baker on Music Interventions for Dementia and Depression
Professor Felicity Baker is Head of Music Therapy at the Melbourne Conservatorium. She talks here about her upcoming symposium, Music Interventions for Dementia & Depression in Elderly Care.
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Ade Vincent, composer: from The Tiger & Me to Melbourne Symphony
Ade Vincent, a Phd candidate at the Melbourne Conservatorium, is the inaugural Cybec Young Composer in Residence with the Melbourne Symphony Orchestra. His work Hood Yourself in Stars will premiere as part of the MSO’s Metropolis New Music Festival on 19 April.By Susanna Ling
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Meet Alexandra Czarnecki-Roper, Bachelor of Music (Jazz & Improvisation) graduate at the Melbourne Conservatorium
Recent percussion graduate Alexandra Czarnecki-Roper discusses what it was like to study at the Conservatorium.
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Podcast: Jane Davidson, Marshall McGuire and The Voices Of Women
Professor Jane Davidson, of the Melbourne Conservatorium and Centre for the History of Emotions at the University of Melbourne, talks to Marshall McGuire (Ludovico’s Band) about baroque female composers, historical music performances and emotions.
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Proof of the Conservatorium’s reach is in the Magic Pudding
Victorian Opera’s latest opera season celebrates Norman Lindsay’s enduring Australian classic children’s book, The Magic Pudding, which turns 100 this year. In the lead-up to the opening night of Calvin Bowman’s musical reinterpretation, we caught up with 2013 Melbourne Conservatorium graduate and acclaimed tenor Brenton Spiteri to find out more about The Magic Pudding – The Opera.By Susanna Ling