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Theatre
67 results found
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Chris Kohn, VCA lecturer: putting diversity centre stage
Since 2016, Chris Kohn has been working on a PhD looking at theatre made by people with intellectual disabilities and those identifying as neurodiverse. Right now, though, he's excited about a completely different kind of diversity project.
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Richard Frankland says 2002 play about deaths in custody is sadly still relevant
Richard Frankland is not surprised his 2002 play about deaths in custody, Conversations with the Dead, is being restaged or that the story is still topical.
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Five Questions for Caitlin Overton, Master of Theatre (Directing) student
Having grown up in rural NSW, VCA Theatre student Caitlin Overton is looking for ways to bridge the gap between rural and metropolitan creatives.
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Meet Claire Bird, Theatre student at the University of Melbourne
Claire Bird is studying a Bachelor of Fine Arts (Theatre). She talks about the moments of discovery while studying and the importance of failing gloriously.
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What's a girl? Just ask Ellen Grimshaw
Ellen Grimshaw graduated in 2018 from the Victorian College of the Arts with a Master in Writing for Performance. Here she discusses her new show, inspired by her work for the University’s First Commissions project, to be performed at the Melbourne Fringe this month.
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New graduate-level voice training for stage and screen at the University of Melbourne
A new masters course has been launched to provide students with industry-leading knowledge and skills to work as a professional voice coach in the performing arts, film and television, media and business.
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Meet Kliment Poposki, Master of Dramaturgy, University of Melbourne
It was a long journey for Kliment Poposki from science to Dramaturgy, but now he can’t imagine doing anything else.
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Capital D Disability in Theatre with Julie McNamara at the University of Melbourne
Julie ‘Mack’ McNamara, an Honorary Fellow at VCA Theatre and the Artistic Director of Vital Xposure, one of UK’s leading disability led touring theatre companies. As a Visiting Fellow of the University of Melbourne’s Miegunyah Foundation, she talks to Mireille Stahle about making theatre that puts disability first.By Mireille Stahle
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Winging It – a web series produced by the University of Melbourne
“Heaven has been corporatised, and no-one hates his job more than Michael …” Winging It is a seven-part web series developed as part of a Faculty of Fine Arts and Music interdisciplinary collaboration. Meet two of its writers, and watch the first episode, below. By Thuy On
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Meet Tom Richards, Bachelor of Fine Arts (Acting) graduate, University of Melbourne
Tom Richards auditioned three times before getting into the VCA’s Bachelor of Fine Arts (Acting) – so has it been worth it?As told to Kelly Southworth.
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Meet Sarah Vickery, Master of Directing for Performance student, University of Melbourne
Directing plays for Mardi Gras, tackling the challenge of academic study, and developing work that tackles provocative social issues – for Victorian College of the Arts student Sarah Vickery, theatre directing is much more than a job.
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Acting it Out: a new VCA Theatre initiative to increase diversity
The Victorian College of the Arts’ new outreach program aims to support students from Indigenous and culturally diverse backgrounds. By Susanna Ling
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Hollywood actor Jane BadlerHains: from V to the VCA
Earlier this week, actor, singer, producer, and philanthropist Jane BadlerHains visited the Victorian College of the Arts to share the story of her decades-long performing career with our Acting students – and to announce a new relationship with the Faculty.
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Hell’s Canyon playwright Emily Sheehan and actor Conor Leach in conversation
Hell’s Canyon, the Rodney Seaborn Playwrights’ Award-winning play by Victorian College of the Arts graduate playwright Emily Sheehan, will show at the Old 505 Theatre in Sydney and La Mama in Melbourne in August and September. Ahead of their 1 August opening night, writer Sheehan and VCA Theatre graduate and Hell’s Canyon actor Conor Leach talk about their teenage selves, writing push and pull, and moments of magic realism.
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How to throw a stage punch (and keep your teeth)
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Staging change: supporting diversity in Australian theatre
The Victorian College of the Arts is offering a Diversity in Theatre program from August to September to support authentic representation of people of colour on stage. Cessalee Smith-Stovall, Book of Mormon performer and Diversity in Theatre project coordinator, tells us more.– As told to Susanna Ling
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The theatre of fake news: Polygraph speaks truth to a post-truth era
In a time characterised by fake news and political dishonesty, how are we to understand truth? Such is the subject of enquiry in Polygraph, part murder mystery, part love story and full boundary-pushing physical theatre that speaks truth to a “post-truth” era.By Sarah Hall
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Five questions for Chris Kohn, Coordinator of the Master of Directing for Performance
Victorian College of the Arts tutor and PhD candidate Chris Kohn is currently researching the connections between collaborative theatre creation, ethics and intellectual disability. He told us about how his interest in these areas shaped his career as an award-winning stage director and dramaturg.As told to Kelly Southworth
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Meet Kim Ho, Master of Writing for Performance student
Having majored in English and Theatre studies and having already written two full-length plays, Kim Ho decided to apply for the Master of Writing for Performance to gain more control over his writing craft – and found himself in the surprising company of acrobats, musicians, and mining company employees.By Susanna Ling
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Patrick White Playwrights’ Award recipient Kim Ho: putting cross-cultural stories centre stage
Kim Ho is a Melbourne-based playwright, actor, and the 2017 recipient of the prestigious Patrick White Playwrights’ Award for his play Mirror’s Edge, which explores the interplay of Anglo-European, Chinese, and Indigenous cultures in Australia across three centuries. Here, he talks about the catalyst for writing the play, and his commitment to addressing cross-cultural issues – even if they’re uncomfortable.As told to Susanna Ling.