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Wilin Centre For Indigenous Arts And Cultural Development
21 results found
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Wilin: fanning the flame for 20 years
by Sarah HallWilin, which means ‘fire’ or ‘flame’ in the Boon Wurrung and Woi Wurrung languages, has been part of the land where the Wilin Centre now stands since time immemorial. Art and music too, have always been part of its story.
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First Nations uni students bring Warrior documentary to UK culture showcase
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Resurfacing vital Indigenous history through historic film footage
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“I'm here, I'm proud and I know what I'm doing”: Third-year student and Mununjali man Nicholas Currie on his journey into painting, and his relationship with the Wilin Centre
“There's a different feeling when Aboriginal people teach Aboriginal people and uphold Indigenous people, and make you feel safe, and listen to your fears.”So says Nicholas Currie, a descendant of the Mununjali clan of Yugambeh people of Brisbane, Beaudesert and Logan River, currently in his third year of a Bachelor of Fine Arts (Visual Art) at the Victorian College of the Arts.
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Palawa and Wiradjuri theatremaker Nicola Ingram on why she makes theatre
Nicola Ingram is a proud Palawa and Wiradjuri woman from nipaluna, lutruwita (Hobart, Tasmania) and a 2021 graduate of the Bachelor of Fine Arts (Acting). Though now a passionate theatremaker, actor and writer, growing up Nicola had imagined she would work in politics. As a teenager, she did work experience with a couple of politicians in lutruwita.
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Meet Ngioka Bunda-Heath: 2022 Hutchinson Fellow
Ngioka Bunda-Heath is a Wakka Wakka, Ngugi and Birrpai dancer and storyteller whose choreographic works are a deep excavation of her cultural and ancestral histories. She is also a woman of many firsts: the first Aboriginal woman to graduate from the dance program at the VCA, and now, the first choreographer and dancer to receive the prestigious Hutchinson Indigenous Fellowship and Residency at the University of Melbourne.As the 2022 Hutchinson Fellow, Ngioka will undertake a one-year residency at VCA Dance. We spoke with her about her choreographic practice and plans for the year ahead.
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Meet James Howard, Jaadwa Musician and PhD Candidate
Dr Danny Butt, Associate Director (Research) VCA and Creative Producer Claire Bredenoord raise the profile of graduate researchers at the Victorian College of the Arts through beautiful interviews and documentation of their creative and scholarly works. In this interview with Jaadwa composer and current PhD Candidate James Howard, Danny and Claire give James the opportunity to reflect on the themes of his research in music and soundscape.
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Researching the arts and wellbeing: Challenges and opportunities
A recent Australia Council for the Arts workshop brought some of the country’s leading arts and mental health researchers together.
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Ablaze: Tiriki Onus resurfaces vital Indigenous history through a film about his grandfather
Academic, advocate, singer and now filmmaker, Tiriki Onus discusses the film made by his grandfather William "Bill" Onus and the new documentary it inspired.
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Lighting of the Wilin for Reconciliation Week 2021
Every year, the Faculty of Fine Arts and Music comes together to celebrate the beginning of National Reconciliation Week by lighting the Wilin as part of a formal smoking ceremony with Boon Wurrung Elder Parbin-ata Dr Carolyn Briggs AM. This year, in the spirit of social distancing, we held the ceremony both live and online.
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Conversations on Country: experiencing Indigenous cultural and creative practices with the Wilin Centre
Each year, the Wilin Centre for Indigenous Arts and Cultural Development takes University of Melbourne students out on Country. Mireille Stahle joined the team in Yorta Yorta Country for a deep dive into Indigenous cultures and artistic practices.
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The need for truthing in language rematriation
In this edited extract of her recent 2019 Lin Onus Oration at the University of Melbourne's Faculty of Fine Arts and Music, Dr Lou Bennet makes a compelling case for the importance of Indigenous research methods and practice-led research to the task of “rematriating” Aboriginal and Torres Strait Islander languages.
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Richard Frankland says 2002 play about deaths in custody is sadly still relevant
Richard Frankland is not surprised his 2002 play about deaths in custody, Conversations with the Dead, is being restaged or that the story is still topical.
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Lin Onus: eternal landscape of the artist’s mind
A new exhibition at the University of Melbourne celebrates the work and ongoing influence of the late Yorta Yorta artist Lin Onus. By Dr David Sequeira, Director Margaret Lawrence Gallery
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Tiriki Onus: five questions for the Acting Head of the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne
The Faculty of Fine Arts and Music, percentage-wise, has the highest number of Indigenous students of any faculty at any university in Victoria, and now there are plans to rename campus paths and walkways with local Indigenous place names. Acting Head of the Wilin Centre for Indigenous Arts and Cultural Development, Tiriki Onus, tells us more. By Thuy On
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Artist Moorina Bonini on the reclamation of cultural identity
Graduating VCA Visual Art Honours student Moorina Bonini discusses her work The Other Reclaims, exhibited in The Stables as part of the 2018 VCA Art Graduate Exhibition.By Moorina Bonini
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Arts explainer: what is social practice?
We hear a lot about social practice in the arts, but what actually is it? We asked course coordinator of the University of Melbourne’s new Bachelor of Fine Arts (Honours) in Social Practice and Community Engagement Dr Danny Butt.By Dr Danny Butt
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A tour of Melbourne’s Arts Precinct and the people who make it
The reimagining of Melbourne’s Southbank is a source of disruption, possibility and hope for the people and organisations of the Arts Precinct. By Susanna Ling
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Kate Daw, Head of VCA Art, on her vision for artists in Southbank
She’s an internationally-recognised visual artist whose work has featured in group and solo shows since 1992. The former Head of Painting, and recently-announced Head of VCA Art, outlines her vision for teaching, learning and promoting art at the University of Melbourne’s Southbank campus.By Dr Kate Daw, Head of VCA Art
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Five Deadly Questions for Richard Frankland
Associate Professor Richard Frankland is Head of the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne. He’s also a key figure in ongoing talks with the Victorian Government to establish a treaty or treaties to acknowledge the unique position of Aboriginal Australians, and a participant in the Victorian Government’s recently-launched Deadly Questions initiative. By Paul Dalgarno