Melbourne Conservatorium of Music
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First Commissions art project launches in Florence
A major Australian arts project presented by the University of Melbourne has been launched at the feet of Michelangelo’s David, the world’s most famous statement on physical perfection, ahead of exhibitions in Florence and Melbourne this month.
The International Symposium on Performance Science, Melbourne – what you need to know
The International Symposium on Performance Science (ISPS) is a biennial meeting of performers and scientists that provides a platform to discuss all facets of performance and the skills that underpin it. Ahead of this year’s symposium – convened by Melbourne Conservatorium Director Professor Gary McPherson, the Conservatorium’s Dr Solange Glasser and the Royal College of London’s Professor Aaron Williamon – we talk to Professor McPherson about what we can expect.
Deborah Cheetham AO wins the Sir Bernard Heinze Award
Acclaimed Yorta Yorta soprano, composer and Artistic Director of Short Black Opera, Deborah Cheetham AO, has been awarded the 2019 Sir Bernard Heinze Memorial Award.
Photo gallery: Ian Potter Southbank Centre launch
More than 250 student and staff musicians helped bring The Ian Potter Southbank Centre to life for the official launch on 1 June 2019, with a program featuring orchestral works, world-premieres and specially-commissioned pieces.
Australian Chamber Orchestra partners with University of Melbourne
Students and staff at the University of Melbourne will have unparalleled access to education and research opportunities with a $1 million partnership with the Australian Chamber Orchestra (ACO).
Alumni stories: Eugene Ughetti
The percussionist, composer, conductor and artistic director of Speak Percussion is known for tackling complex and ambitious art music projects. Here, he discusses his time at the Victorian College of the Arts.By Stephanie Juleff
Albert Herring by the Melbourne Conservatorium of Music: review
The University of Melbourne’s new Master of Music (Opera Performance) proved its mettle in this fully-staged operatic production of Britten’s classic opera. By Peter Tregear, Honorary Research Fellow at the Melbourne Conservatorium of Music
Herbie Hancock comes to the University of Melbourne for International Jazz Day
UNESCO’s 2019 International Jazz Day will be presented this month in partnership with the Melbourne Conservatorium of Music. Head of Jazz and Improvisation Associate Professor Rob Vincs explains more.
Five questions for Dr Anthony Lyons, Interactive Composition lecturer, University of Melbourne
Composer, performer and academic Dr Anthony Lyons has created an incredibly diverse range of music in his career, from orchestral works to EDM to multimedia installations. But how does this all tie together?As told to Kelly Southworth.
The Ian Potter Southbank Centre opens for Melbourne Conservatorium students and staff
More than 1,000 students and staff have moved into the new state-of-the-art Ian Potter Southbank Centre, home to the new Melbourne Conservatorium of Music.
Chiptunes and coffee spoons: meet Kenny McAlpine, lecturer in Interactive Composition
Professor Kenny McAlpine is the New Melbourne Enterprise Fellow in Interactive Composition at the Melbourne Conservatorium of Music. He talks to us about the creativity born of constraint, and what attracted him to working at the University of Melbourne.By Stephanie Juleff
Meet Hannes Lackmann, Master of Music (Performance Teaching) graduate, University of Melbourne
Percussionist Hannes Lackmann was performing regularly on the Melbourne music scene after graduating – so what inspired this Jazz & Improvisation graduate to pursue teaching?By Kelly Southworth
What is Interactive Composition at the University of Melbourne?
It defies easy definition, but those who have had anything to do with Interactive Composition at The Faculty of Fine Arts and Music know its value. It’s a course for innovators, creators, collaborators and ground-breakers. When Interactive Composition graduates leave the University, they go into the world and make their mark.By Jacqui Picone
Tiriki Onus: five questions for the Acting Head of the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne
The Faculty of Fine Arts and Music, percentage-wise, has the highest number of Indigenous students of any faculty at any university in Victoria, and now there are plans to rename campus paths and walkways with local Indigenous place names. Acting Head of the Wilin Centre for Indigenous Arts and Cultural Development, Tiriki Onus, tells us more. By Thuy On
Five questions for Dr Erin Helyard, Senior Lecturer (Historical Performance and Musicology), University of Melbourne
As part of our ongoing Staff Stories, Dr Erin Helyard discusses conducting, his favourite writers and the trait he most deplores in others.As told to Kelly Southworth.
Explainer: what is artistic research?
The role of artistic researchers is not to describe their work – it’s something else entirely.By Professor Barb Bolt, Faculty of Fine Arts and Music.
Meet Chloe Uhrmacher, Diploma in Music student, University of Melbourne
French horn player Chloe Uhrmacher is in the final year of a Bachelor of Science at the University of Melbourne with a concurrent Diploma in Music at the Melbourne Conservatorium of Music. So, how can she combine those twin passions?As told to Kelly Southworth.
Sneak preview of the new Ian Potter Southbank Centre in the Melbourne Arts Precinct
Victoria’s Minister for Creative Industries Martin Foley was welcomed to The Ian Potter Southbank Centre today, with a performance by Conservatorium brass students Hannah Rundell, Natalia Edwards and Kiran Samuel.
101 Sensations: on tour with the University of Melbourne Symphony Orchestra in Asia
Between 23 September and 29 September 2018, the University of Melbourne Symphony Orchestra performed in Singapore and Shanghai, the first time it had ever travelled overseas. This is the story of that tour.By Paul Dalgarno.
A tour of Melbourne’s Arts Precinct and the people who make it
The reimagining of Melbourne’s Southbank is a source of disruption, possibility and hope for the people and organisations of the Arts Precinct. By Susanna Ling